‘A shrine of Sacred Fear’ was my first sound installation combining mechanical and digital elements. The piece functions as an automaton with no immediate capacity for human interaction. I didn’t want the piece to present an interface, but rather make a machine centred both physically and metaphorically around its own midpoint.
The eight brass plates enclosing the inner core function both as the main sound source of the piece, and as a kind of symbolic protection for the inner workings.
At the center a computer activates the mechanical workings, creating an enigmatic sonic experience combining digital accuracy with an acoustic vigorous performance.
The piece draws inspiration from traditional Japanese shinto shrines, in which a force or spirit can be housed in a physical object.
Using digital technology as the starting point for a simplistic ritual setting, allows for a contemporarily relevant experience created for the present instead of the past.
‘A Shrine of Sacred Fear’ discusses the use of mysticism in a modern world, fear on an individual level, as well as a romanticisation of self-indulgence.
This production was only made possible by the help of Mads Thomsen.
The piece has been exhibited and performed at; Aarhus Kunsthal, Click Festival, Kapelica, Statens Museum for Kunst And Regelbau411.